
SIFF 2025: Day 5 Journal
May 19th, 2025 / Kevin Ward
Capsule Reviews of everything screened at the Seattle International Film Festival 2025
Heightened Scrutiny
—❤️❤️❤️❤️🖤 —
Heightened Scrutiny follows Chase Strangio, the first out trans person to argue a case before the U.S. Supreme Court, as they prepare for a landmark decision on bodily autonomy expected by June 2025. With the stakes impossibly high—democracy, truth, and justice on the line—the film explores not only the case itself but also the coordinated media and legislative efforts aimed at dismantling trans rights in America.
While the portrait of Strangio’s preparation and resolve is compelling, the most eye-opening thread is how quickly anti-trans bias in mainstream media can leap from op-ed to courtroom. The documentary chillingly traces misleading, under-researched articles—some from The New York Times—as they make their way into court dockets, cited as evidence in rulings with devastating, long-lasting consequences that no editorial correction can undo.
Heightened Scrutiny exposes the media’s complicity in legitimizing transphobic disinformation. Yet, for all its clarity about how dark the moment is, it’s also deeply inspiring. Seeing people continue to stand up, push forward, and fight back—even as a vocal segment of the country appears increasingly eager to roll back civil rights and equal protections—is nothing short of courageous.
Khartoum
—❤️❤️❤️🖤🖤—
Khartoum is a powerful and inventive documentary that follows five lives in Sudan's capital, filmed amid revolution, repression, and (ultimately) civil war. What began as a collaboration between four Sudanese filmmakers and a British director in 2022 evolved into something far more urgent when the country descended into chaos, displacing over ten million people—including the filmmakers and their subjects. Forced into exile, the crew carried on, blending vérité footage with animated sequences, green screen reenactments, and poetic dreamscapes.
While the reenactments are an innovative way to continue filming in displacement, their visual payoff rarely feels like enough to justify the emotional toll they seem to take—at times coming off more re-traumatizing than cathartic. I suppose the very roughness of these sequences underscores the absence of home and safety, though. It's impossible not to fall in love with Lokain and Wilson—young boys who comb the streets for bottles to trade in for a bit of money. They venture into each new experience hand in hand, dreaming of the day they can afford a fancy shirt.
Unclickable
—❤️❤️💔🖤🖤—
Unclickable is a documentary that sets out to expose the underbelly of online ad fraud—and succeeds in showing just how terrifyingly easy it is to game the system. A small team builds a fake media empire from scratch, using AI to generate bland clickbait, botnets to simulate traffic, and then cashing in on programmatic ad revenue. It’s DIY media manipulation 101, and to its credit, the film demystifies the mechanics with accessible examples and a disarming sense of "yep, this is happening everywhere."
But while it’s somewhat enlightening, it stops short of being revelatory. The doc makes its point clearly—this ecosystem is broken—but doesn’t quite excavate the deeper roots or implications. Most notably, its case studies focus on fake political news sites, and in doing so, it leans hard into the idea that these operations are purely financially motivated. That framing feels a bit too convenient, subtly brushing aside the ideological machinery at play. As if the only reason misinformation spreads is to make a quick buck, not to sway minds or elections.
Still, there’s value in watching Unclickable for what it reveals about our current ad-driven internet—one where engagement can be manufactured and the line between hustle and harm gets blurrier by the day.
BLKNWS: Terms and Conditions
—❤️❤️❤️🖤🖤—
BLKNWS: Terms and Conditions isn’t a traditional film—it’s a transmission. Adapted from Kahlil Joseph’s museum-exhibited video installation, this feature-length version plays like a concept album, weaving 21 “tracks” of cinema, video art, music video, social media, and documentary into an experimental sonic collage. Spanning 247 years, the film functions less as a narrative and more as an audiovisual séance.
BLKNWS is a challenging watch. Everything is presented in samples—W.E.B. Du Bois, TikTok rants, old broadcast news, Vine clips, Pan-African propaganda reels—and doesn’t stop to hold your hand. The result is often dazzling, sometimes overwhelming, and occasionally obtuse. But it’s not about telling a clean, digestible story—it’s about conjuring a state of awareness.
Yes, it will lose some viewers. It definitely lost me at times. This isn’t a neatly packaged doc with talking heads and a three-act arc—it’s a living, breathing document of Black thought that uses the medium of film to remix time, memory, and authorship. In a festival landscape where crowd-pleasers and prestige dramas dominate the spotlight, BLKNWS: Terms and Conditions reminds us there’s still space for experimental cinema—if you’re willing to meet it halfway.